My girl and I have a well-documented thing for the theeYAYtah. We’re specificated
folks, ya know. We have been venturing
out to smaller productions here and there to keep it real, but our favorite
nights out are when we put on dresses and go to the Civic Theater downtown for touring
Broadway productions. The first one she
ever saw there was Annie, and has since added Billy Elliot, Wicked, Beauty and
the Beast, West Side Story, Joseph and the Amazing Technicolor Dreamcoat, and
most recently, Once. Am I forgetting
any? She wasn’t with me for Hairspray, Rent, Jersey Boys, American Idiot, Book
of Mormon, and she’s not coming to Kinky Boots, but we do have tickets for
another tour of Wicked in November. ANYWAY.
I like to have a general sense of the story and music before
seeing a new show, and although I’d seen the move Once my girl never had, so we
sought to find it. We were chagrined that we couldn’t find it anywhere (meaning
it was available neither on demand nor Netflix), but we bought the soundtrack
and listened to it when we could in between travel and while not in the car
together as much as we would have been during school months. We mostly sang the same
song over and over and over. You know the one.
While searching for a story summary to share with my girl, I
read many reviews and watched many outtakes and interviews. In two places, it
was noted that the set for Once is a pub in Dublin, and the audience was
invited to visit this pub before curtain to buy drinks and, you know, just BE
ON THE STAGE.
I told my girl about this, and she was skeptical. Have you
MET her? It’s her nature. I was excited,
though, and I promised that if there was even the slightest chance that we could
get ourselves up on that stage, we were going to do so.
I had purchased our tickets online, and the day of the show
I went to my KEEP folder to find and print them. I opened up my account, and
there was no print option! I tried several things to make it appear, but none
worked. Now I’m known for finding bargains when I buy tickets to things. I
search and study the web for promotional codes, memberships and coupons that I
can exploit enjoy to make extravagent outings like the
TheeYAYtah more affordable for families of modest means like ours. There was a
nagging worry that maybe I’d taken it too far in securing these particular
seats (which were spectacular), and the gig was up. I was rushing to get out
the door and unable to print and everyone was waiting for me so I had no choice
but to do the unthinkable and pick up the telephone to dial up a live human
person. Ew. The human was nice enough, when we couldn’t figure the problem out
together she offered to email me the tickets as an attachment, and I accepted.
I just had to wait for the email. So I waited. Taptaptaptaptaptap
refreshrereshrefreshrefresh. It did not come. Everyone was still waiting. It
did not come. I had to call back! I got a new person on the phone and explained
my woe and she made another kind offer: she’d pull the tickets and put them at
will call. Perfect! Out the door. Let me just check my email one more…. Oh,
they came. I printed them.
We got to the theater early, parked and moseyed over to the
theater. There was no line at will call,
so I suggested that we pick up the tickets so we’d have the stubs to save with
our playbills rather than the lame computer print out. The friendly humans at will
call where not the same friendly humans of the phone calls, and they had never
heard of me. They started sending me from window to window… was I a season
ticket holder? I was thinking Oh God, did I finagle a season ticket discount? The
worst part was that I had tickets in my purse, but what was I supposed to say?
What kind of person goes to will call for tickets that she has in her purse? A
crazy person, that’s the kind A crazy cheap person. Me. When asked to go to the
next window, I pretended to get a phone call and stepped away from the counter
then quickly ran away to the other side of the theater. Crazy person. We went in with our perfectly acceptable computer
generated tickets, and looked around.
There had been no public or spoken confirmation of the
pre-show hinjinx, but I was determined to find out. My girl had it in her mind
that if it was weird/uncomfortable/only for old people, she’d just go to our
seats and take photos of me having my broadway debut. My decision making about
the tickets had not done much to elevate my trustworthiness in my girl’s eyes,
and she had just about reached the limit of her tolerance for my weirdness. But
you guys, there was a line forming at the orchestra door.
Oh, she was skeptical.
I promised that when the doors opened, I’d ask the usher if
it was legit and kid friendly. I told her not to worry, if we didn’t belong
there they would just kick us out. She was not entirely reassured.
Finally, the doors opened and I heard the usher say to
someone: “Are you sitting in orchestra?” then wave her in even when the answer
was no. I knew it was a go, and my girl
was along for the ride like it or not. We hurried up to join the line that was forming at stage left, where a portable stairway had been perched to allow access TO THE STAGE.
We had to wait a while. There were guys on either side keeping track of the number of people up there, and at one point it seemed like we were stalling. We were almost at the front, and I started to fret that time would be up before we got our turn. After a few minutes, people started leaving the stage to take their seats. Soon my girl and I were next in line, and stood vibrating with excitement (me) and shrinking in concern (guess who). I struck up a conversation with the usher who stood next to us with her eye on the stage guy waiting for a go-ahead. She was non committal about our prospects, but she did say that if/when we got up there, we should stay put until someone asked us to leave. I tried to engage my girl in hyperbole about which of my favorite big numbers I should belt out when I finally got on stage. She looked around as if to wonder who I was addressing. Turd.
Then we got the wave! We were told the rules: don't touch the chairs, and no photographs. My girl naturally headed to the back of the stage, but I stopped her and led her front and center, where we stood together and faced the audience for a moment, drinking it in. I don't remember saying anything at all, but my girl insists that I went on and on about "remember this always" and "once in a lifetime" and yada yada blah blah blah. We headed over to the bar where I ordered a drink. Right there on the stage. We looked around and chatted with people and it was cool and weird and exciting.
Oh, and then the cast joined us. Are you familiar with the stage production of Once? There's no orchestra, the cast all plays instruments and they are all pretty much on stage the whole time, hence the chairs. So the cast joined us, and stood in the middle of our friendly conversation circle and started to play. Fiddles and squeezebox and all manner of guitars and banjos and things on which to drum. And voices. My God, those voices. We were standing next to them, hearing their voices right out of their heads rather than through amplification. We watched as they took big breaths and opened wide and unleashed their instruments. It was amazing. We'll remember this always. It was once in a lifetime.
Once upon a glass or twelve of wine, Jacquie and Beth and Ellie got to talking. We decided that we were all enormously smart and clever and hilarious, and that it would be a crime not to share our unique talents with the world. We decided to start a blog together.
We needed a name, so Jacquie asked Beth: “What should we call a blog about meand you and Ellie?” And the rest, as they say, is history. We are having a blast writing this thing, and if there was any trepidation that we were only smart and clever and hilarious that night because of all the wine, our words here thus far have succinctly affirmed our mutual self-admiration.
What are you reading?
Ellie - Evergreen, Rebecca Rasmussen
Jacquie - The Goldfinch, Donna Tart
Beth - Perfection: A Memoir of Betrayal and Renewal by Julie Metz